Computer Science and Music Technology at NYU, graduating May 2027. I work on Gil Weinberg's research team at the Georgia Tech Center for Music Technology, where I build the iOS client for HearMe. In spring 2026 I studied spatial audio at IRCAM through NYU’s program there, and I founded Clubs, which is live on the App Store.
My work is on real-time and collaborative music systems: networked performance, low-latency audio, and spatial audio.
2026
Georgia Tech CMT · Weinberg group
An iOS app that builds a full arrangement out of what a musician actually played. Sole engineer on the mobile client.
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Founder · covered in WSN
A platform for finding people to make things with. Swipe discovery, AI matching, real-time channels.
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Winner, Audiotool Challenge
Four phones, one shared clock, one fused track. A generative model that could not hold tempo, measured and designed around.
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IRCAM, Paris
A piece written, recorded and mixed in three dimensions rather than mixed down into them. Ambisonic, decoded to a dome and to headphones.
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Cooking Pot
I release music under several names — rap, avant-garde jazz-rock, electronic. Guitar and modular synthesizer; production, engineering and mixing. The engineering and the music are not separate practices; each is why the other is interesting.
Psychedelic rock, 49 minutes, continuous — it plays in the bar at the bottom and keeps going as you move around the site.
NYU · Brooklyn
B.M. Music Technology (Steinhardt), second major in Computer Science (CAS), minor in Mathematics. Coursework in digital signal processing, machine learning, numerical computing, artificial intelligence, analog and digital electronics, and Max/MSP.
Interests: real-time audio DSP, on-device inference, spatial audio, music information retrieval, interactive performance systems.